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Painting Howling Banshees by Assistant Doc Jason Pyett Colors needed: Skull White (pure White ) Chaos Black (flat black) Snakebite Leather (brown-green mix) Bleached bone (cream) Imperial Purple (dark purple) Shadow Grey (gray-blue) Ghostly Grey (very light blue) Blood Red (true red)
Equipment recommended: 000 brushes Wet Palette Acrylic Extender Acrylic Flow Release Plaster of Paris Testors Dullcote Spray Acrylic Sealant Spray First step is to sculpt the base. There are various methods but for best results I find using Plaster of Paris a great and inexpensive way to sculpt large rocks for a base. Simply follow the directions for creating a sculpture material and apply it to the base where you want rocks. You want a consistency that will not loose it form completely when applied but is not rock hard when applied, this will take some practice to get the mix the way you desire. Once it hardens use your hobby knives and sculpt out your desired shape, if you wish before the plaster dries you could sink bits and bobs into the plaster and they will be held in it when it dries. Plaster of Paris does not adhere well to plaster or metal so it may require being taken off the base and superglued back into position. After the base is sculpted it is time to prime the entire model. I recommend spray White primer, GW uses Spray White paint, and either will do. Next blackline the model. If you
are unfamiliar with this it is just putting a black line where there are recess
in the model, between armor plates etc.
To paint the model I usually use a by item process and by color. This means that I start with the most abundant color on the model and individually paint to completion each item that has that color. I began by painting the helmet. I
use a wet blending technique to paint. Start by basecoating the area, in the
case of the helmet, bleached bone. Next I again paint the helmet bleached bone
but this time the bleached bone has acrylic extender in it that will allows
longer work time with the paint. You can use flow release in your rinse water to
help if the extender paint mix is very thick, which it will most likely be. When
you have repainted the helmet with the paint/ extender mix you will shade and
highlight, as normal but because you have wet paint on the model you will be
able to blend in each color so that they appear seamless when dried. This
technique takes a bit of work to get the hang of but keep working at it the
result is terrific. To shade the helmet use snakebite leather and to highlight
use white. The gradient will be, starting with the deepest shade, snakebite
leather-> 50/50 mix leather and bleached bone -> bleached bone (basecoat) -> 50/
50 mix bone and White -> Skull
White and edge with Skull White as well. Edging is painting the very edge of the
item with the side of your brush, not the tip.
From the helmet I worked down the
banshee and painted every object that was going to be bleached bone.
Once everything that is bleached
bone was painted I began with the purple. The symbol was the first part painted
purple. The easy way to do a symbol is to paint with very thinned down paints
until you have the desired shape. Paint over any mistakes. Retrace over the
desired symbol again with thinned down paints until you have it as dark as you
wish. You can highlight the symbol by adding a bit of White to the thinned
paint.
I used wet blending again for the
bulk of the purple except for the hair, which was drybrushed. The method for
painting the purple was the same as the bone. The gradient I used was, starting
again with the deepest shade, Chaos black -> 50/50 mix black and Imperial purple
-> Imperial purple (basecoat) -> 75/25 mix purple and White -> 50/50 mix purple and White
-> 25/75 mix purple and White. White was used to edge the sword.
Now onto the tricky part for
some, the NMM, as an option, you could paint all the grey NMM with mithril
silver shaded with boltgun metal. I will not go into a tutorial here on NMM but
there are many resources on the web where one can find guidance on how to do NMM
well. The colors I used for the grey NMM were 50/50 mix shadow grey and black->
shadow grey -> 50/50 mix shadow grey and ghostly grey (basecoat) -> ghostly grey
-> 50/50 mix ghostly grey and White
-> White for very strong highlights and edging.
The gems and eyes were painted with out wet blending just layering was used. I use the same method found in the Eldar codex pg. 29 except with different colors. The gradient is black -> 50/50 mix black and red -> Blood Red (basecoat) -> 50/50 mix red and White -> 25/75 mix red and White with a White dot in the black region.
The gold on the pistol, gem settings and honor badges again was layered. The gradient was Vermin brown -> 50/50 mix brown and yellow -> Golden yellow -> 50/50 mix yellow and White -> White.
Thank you for reading this tutorial and I hope it helps. Happy Painting, and be sure to visit my Mini-Painting Yahoo! Group for more painting tips and tricks.
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